"Here again exposed; from your ear as it will go the mind of man; our wish is to mined materials that we make songs by heart, for a public place; hence we named this Deposits disk.
Lyrics written by Panos Dimitropoulos and Leonidas Balafas music; then listened in Plaka, the music hall sheltered in a journalistic magnitofonaki recorded with guitar and voice eleven songs for entrusting me with the end of 2014.
I hear, touched, the edit, make a test; and another one, and then some more; to deliver to Kostas Nikolopoulos, telling him to do what he understands; the designs all paper and pencil, guitar, treble clef, Fa, of Do, my shows with joy and not understand anything.
We enter the studio Polytropon; with tireless sound engineer Leonidas Bailey and the excellent musicians:
Thanks Voreadou: Children pliktrakia & electronic pre-recorded
Vangelis hoarsely: trumpet and horn
Thanos Kazantzi: drums & percussion
Nikos Papaioannou: lute, cello and synthesizer
Christos Pappas: bass, bassoon & Glockenspiel
Written music of all the instruments and sing so as to know where we are going. Otherwise, I sleep all the time; quiet; we have in three days, nine songs, whole.
It remains to be sung. I take st'akoustika and saying in Sierra Studio with sound engineer Vangelis Lappas; got my voice and cleared ap'tis stones and grasses and brought, certainly the disc to listen. We still have two songs with idioms; a Cretan and a continental.
We were in the studio Kyriazis in Halandri with soundman Thanos good. We wrote "hope left" little tsamiko guitar folk and pliktraki; here, they say, sing in microphone once sang Stelios Kazantzidis small; my voice; my great thanks. Then Thanos Kazantzis played above us as the open percussion piano and mix the whole.
Cretan sent it to Nikos and George Strataki people outside the heart, and they said, became a sound engineer; Bob; Makraki orchestrated over my steps and recorded "of youth all beauty" from its position as the lifting.
John Papatriantafyllou danced with the bass of the "work is life" and Thanos Stavridis danced to the accordion of the "bro".
A hug to our orchestra.
The Ilianna Skoulakis Ili created the font used in the bond of the issue and drew the woodwork of the rosette and the cover; with endless inspirations and artifacts.
Yiannis Christodoulou did the mastering in the Sweetspot Productions studio and Panagiotis Hadrian got all the ingredients and tied in an album.
Caring Evangelia Papamatheakis all legal and financial matters unfolded thread from the drawer to your speakers.
Kalin hearing; "